foraging
sea and shore blanket

I began it in February to 'use up' some of the yarn from recent projects... one thing somehow led to another and I must admit to buying quite a bit more wool along the way... but I'm delighted with the end result. Crocheting in rows rather than blocks means that the finished blanket has a much drapier feel than granny squares, and the openness of treble crochet stitches mean it's not too heavy while still being comforting and warm. I love it.



The back looks a bit Sophie Digard, don't you think?

for elizabeth

A little while ago, Elizabeth wrote a sensitive, questioning post about the nature of blogging. She asks the things that we have all probably wondered at one time or another: are our ramblings relevant? Read by anyone? Of interest unless we specialise on one subject or another?
Her post generated some interesting and thoughtful comments, most of which conveyed quite strongly that the answer to all these questions is a definite yes, and that personality, individual spirit and sense of place are the things that draw us into a blog and keep us following.
As I was considering all this, I found myself at work one day, cataloguing a book written and illustrated by a Chinese artist in the 1930s. In the introduction, he questions the value of his perspective and writes these words:
"But life is too short and precious for us to pass through it without leaving a few footprints behind us. A man's experience in a certain place at a certain time must be unique, in some way different from the experience of others. Why should I not leave a few words to mark one period in my brief life? Even a bird's clawprints remain for a little time in the snow."
From The Silent Traveller in Oxford by Chiang Yee
His thoughts certainly seemed to sum up how I feel about this blog. Maybe they will encourage some of you to continue with your own.

There will be more posts to come in the next few days as I process my photographs from Norfolk and share some crochet projects with you. I have been having lots of thoughts, but the weather has been just too lovely to sit inside sharing them with the computer...
cakes and ale
The photo above has nothing to do with cakes or ale, but is a very pretty tombstone from Plemstall village chuch near Chester. The photo below, however, is very much about cake... it's a detail from The Elephant and the Bad Baby by Elfrida Vipont and illustrated by Raymond Briggs. You can just see the elephant's trunk as he steals 'a bun for himself and a bun for the bad baby'. I loved reading this book to my children when they were little, and now I'm enjoying reading it to my little granddaughter too.
moments of stillness
So says Alan Hall in this article about this radio programme. In it, he speculates that 'with the encroachment of digital technology into every private corner of our lives comes an erosion of a precious capacity to step aside from the hurly burly'. I think he is right.

I so totally agree with this. I have an insatiable need for silence, and very rarely turn on the TV or radio, or play music around the house (although I think I should so so more often - I definitely find that good music is a powerful energiser, stimulating me to engage with my creativity and the outside world). For me there is nothing more healing than sitting outside in the cool green garden listening to only the sounds of the birds and the trees. It is where I do my daydreaming and it is a daily necessity.
Today by pure chance I found myself totally alone in the house and garden... a rare treat these days... it felt like a gift.
a good read
I have been fascinated by the Lost Man Booker Prize of 1970 since reading about it a few weeks ago on the Gentle Author's blog. The winner was announced yesterday as J.G. Farrell, whose work I'm ashamed to say I don't know, but when I had a look at the longlist I recognised so many of the authors' names I felt a sudden inclination to read - in a leisurely fashion - through the list myself.
Despite being an avid reader from about the time this list was published, my tastes did not at that stage extend much beyond the adventures of Candy and Peppermint (see above), so many if not most of the titles have passed me by. However, several of the authors later became great favourites - Mary Renault, H.E. Bates, Nina Bawden, Susan Hill, and recently, Ruth Rendell - that I felt a curious mixture of nostalgia and expectation when I read through the list of names, and a great desire to immerse myself in the literary culture of a time which seems to me synonymous with a great intellectual and social freedom, and yet still in touch with a golden age that I remember with misty affection.
In the spirit of my reading practises as a child, I have set myself the challenge of acquiring all these titles either from the public library or secondhand, even though many of them will probably be reissued in desirable and glamorous new editions. If there is one thing I remember about 1970, it was a much greater thriftiness and lack of waste - something I could certainly do with reviving...
The Lost Booker Prize of 1970 longlist:
Brian Aldiss, The Hand Reared Boy
HE Bates, A Little Of What You Fancy?
Nina Bawden, The Birds On The Trees
Melvyn Bragg, A Place In England
Christy Brown, Down All The Days
Len Deighton, Bomber
JG Farrell, Troubles
Elaine Feinstein, The Circle
Shirley Hazzard, The Bay Of Noon
Reginald Hill, A Clubbable Woman
Susan Hill, I'm The King Of The Castle
Francis King, A Domestic Animal
Margaret Laurence, The Fire Dwellers
David Lodge, Out Of The Shelter
Iris Murdoch, A Fairly Honourable Defeat
Shiva Naipaul, Fireflies
Patrick O'Brian, Master and Commander
Joe Orton, Head To Toe
Mary Renault, Fire From Heaven
Ruth Rendell, A Guilty Thing Surprised
Muriel Spark, The Driver's Seat
Patrick White, The Vivisector